Photo Archives Obtains Rare Photo of New Mexico Frontiersmen

March 5th, 2015 by Kate Nelson

4-72-PA_CarteDeVisite_Wooten-StVrain-ValdezThe Palace of the Governors Photo Archives has acquired a rare carte de visite depicting Ceran St. Vrain, Dick Wootton and José Maria Valdez. Photo Curator Daniel Kosharek obtained the ca. 1865 image from Cliff Mills, a photographer, collector and dealer who has sold his own and historical images on the Santa Fe Plaza for 20 years.

“I come from an old Taos family,” Mills said. “I’m pretty sure Valdez was a relative. This is a picture that came down to me through the family.”

Carte de visites were an early phenomena of photography. Mounted on cardstock, they could be given to friends or guests. That ease helped create a Victorian craze—“cardomania.” This particular carte de visite represents the first original photograph that the Photo Archives has of St. Vrain, a legendary frontiersman, military leader and wheat magnate. The museum has one small original photograph of “Uncle Dick” Wootton, and none of Valdez.

“This is very early for photography in New Mexico—very early,” Kosharek said. “So very little exists from that time period. It is rare when a photograph of historical significance on New Mexico becomes available.”

Mills considered offering the photo to a wider market, but chose the Photo Archives, he said, in part because “I like Daniel and Tomas” Jaehn, of the museum’s Fray Angélico Chávez History Library.

Brief bios on the men in the picture:

Ceran St. Vrain (1802-1870), standing in the center of the photo, was a frontier entrepreneur and close associate of Territorial Gov. Charles Bent and Kit Carson. In the 1820s, he traveled from St. Louis to Taos, becoming a trapper and trader. In the 1830s, his partnership with Bent blossomed. With Charles’ brother, William, the men built Bent’s Fort in Colorado, headquarters of a mercantile empire and an important stop for travelers on the Santa Fe Trail. In 1855 he was part of the “St Vrain’s battalion” during the Indian Wars and in 1861 was a Captain and later a Lt. Colonel in the New Mexico Volunteers. St. Vrain built the first grist mill in the Taos Valley and others in Mora, Santa Fe and Peralta. He became wealthy selling flour to the troops at Fort Union and Fort Craig. He also invested in sawmills, became involved in banking projects and railroad speculation, dabbled in politics and owned a share of The Santa Fe Gazette. He was buried at the Mora Presbyterian Church. His mill still stands in the town, though in an endangered condition.

Dick Wootton (1816-1893), seated at left in the photo, was also a frontiersman, born in Virginia, who hired out to Bent and St. Vrain at Independence, Mo., in 1836. He later gained infamy for building a toll road over Raton Pass and, for 13 years, charging travelers to use it.

José Maria Valdez, seated at right, was born in La Joya (now Velarde) in 1809. He married Maria Manuela Jaramillo in Taos in 1834 and was a witness at the wedding of his wife’s sister, Maria Josefa Jaramillo, when she married Kit Carson in 1843. (Another sister, Maria Ygnacia Jaramillo, married Charles Bent). He served in the Territorial Legislature and in 1859 was one of the petitioners for the Mora Land Grant.

The Palace of the Governors Photo Archives contains an estimated 1 million items, including historic photographic prints, cased photographs, glass plate negatives, film negatives, stereographs, photo postcards, panoramas, color transparencies, and lantern slides. This collection includes material of regional and national significance, dating from approximately 1850 to the present, covering subject matter that focuses on the history and people of New Mexico and the expansion of the West; anthropology, archaeology, and ethnology of Hispanic and Native American cultures; and smaller collections documenting Europe, Latin America, the Far East, Oceana, and the Middle East.

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Royalty with a Hint of Mystery Comes to the Chávez Library

March 4th, 2015 by Kate Nelson

Letitia (Tish) Evans Frank held a rightful place in Santa Fe royalty. Her grandparents included Mabel Dodge Luhan, the famous Taos personality; artist and architect William Penhallow Henderson; and poet Alice Corbin Henderson. Daughter of Alice Henderson Rossin and Josh Evans, Tish became a dancer, earning a master’s from Vermont’s Bennington College, then working with Martha Graham’s dance troupe at the Juilliard School of Music. Though she claimed residences in New York and Maine, Santa Fe was home, and her service to this community and to our museums was tremendous.

A trustee for the Museum of New Mexico Foundation, she also served on the Women’s Board and the International Folk Art Foundation board, and was chairperson for the School for American Research’s board of managers, 1981–83. She helped persuade legislators to create the Hispanic Heritage Wing at MOIFA, build the Museum of Indian Arts and Culture’s permanent exhibition and, most precious to us, create the New Mexico History Museum.

After her death in 2009, her nephew Nat Mauldin (son of famed cartoonist Bill Mauldin) began overseeing her estate, which included boxes of correspondence and other ephemera that he gave to the Fray Angélico Chávez History Library. Included in the gift were two compelling portraits.

72-CassidyDrawing  72-TishFrank

 

One is a 1958 painting of Tish by Sidney Simon, a sculptor and founder of the Skowhegan School of Painting and Sculpture in Maine. (His works are held in the collections of the Whitney Museum of American Art and the Corcoran Art Gallery, among others.) The other portrait was a detailed sketch of a man that was signed by Gerald Cassidy, one of the early members of the Santa Fe Art Colony.

But who was the man? Librarian Tomas Jaehn couldn’t place him, so he reached out to the library’s Facebook fans, his Brainpower & Brownbags Lecture regulars, and a history-based Listserv. A few names were suggested, including author Oliver La Farge. But the likely answer turned out to be the most logical one: Paul Frank, Tish’s husband.

“It makes perfect sense,” Jaehn said.

The collection still must be sorted, so for at least a little while, you can see both portraits by visiting the library. We honor Tish’s generosity to us by sharing her memory with you.

 

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