Creating an Opera to Remember

SFO_Dance2When Black Bart was forced to choose between a ghost and a dancer, then suffered an untimely death, but was brought back to life by a genie, what was the moral of the story?

“Love conquers all. Love is eternal.”

That’s according to participants in the latest Community-in-Residence program held last month at the Santa Fe Opera and supported by the Alzheimer’s Poetry Project and the Academy for the Love of Learning’s Lifesongs program. The New Mexico History Museum began working with Gary Glazner and the Alzheimer’s project several years ago, inviting people with memory illnesses and their care partners into the museum to enjoy an hour of creative poetry, music and dance inspired by our exhibits.

Last year, we held a daylong conference on ways to use the arts to reach such people, which inspired other local arts organizations to collaborate on Community-in-Residence. The program offers occasional events at venues that have included the Museum of International Folk Art and Georgia O’Keeffe Museum.

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Take a Stroll Through “Wild at Heart: Ernest Thompson Seton”

America’s forgotten conservationist, Ernest Thompson Seton, is celebrated in the History Museum exhibit Wild at Heart: Ernest Thompson Seton. Today, let’s take a short walk through the exhibit, supplemented by what you’ll read and what you’ll see. (All photos are by Blair Clark, New Mexico Department of Cultural Affairs.)

As you head upstairs to the Albert and Ethel Herzstein Changing Exhibitions Gallery, you’ll quickly notice something’s afoot: Hey, there are wolves on the walls!

outside - wolves on wall

Upon entering into the (air-conditioned!) cool, we get our first introduction to Seton.

entrywayIn 1893, on the winter plains of New Mexico, a drama played out between a wolf pack and a wolf hunter named Ernest Thompson Seton. Through his interaction with the wild canines, Seton underwent a personal transformation, changing from their persecutor to their protector, becoming a leading proponent of wildlife conservation. Seton reached an international audience of millions through his drawings, paintings, books and lectures. He wrote the first realistic animal story and established important principles for the sciences of animal behavior and ecology. His passion for self-reliance, ethics, and outdoor youth education led him to become a founder of the worldwide Boy Scout movement. Seton’s insights sparked a revolution in our perceptions of wild nature, provided a model for environmentalism, and inspired generations of youths and adults to take to the outdoors for recreation, adventure, and solace.

Heading counter-clockwise, we learn of Seton’s background and his first foray into New Mexico.

wolf photoOn October 22, 1893, 33-year-old Canadian naturalist and artist Ernest Thompson Seton arrived in Clayton, New Mexico. He had been hired to hunt wolves. As buffalo, antelope and deer had been eliminated through hunting and habitat loss, wolves turned to killing cattle. They threatened the livelihood of ranchers. For the next three months as Seton rode the rangeland of Union County, he thought a great deal about wilderness, wildlife and our relationship to the land. The wolves he hunted were becoming his teachers. Seton hunted a wolf pack along the Corrumpa Creek (“Currumpaw”) which flows east from Capulin Volcano National Monument, an ideal area for wildlife. He wrote: “The place seemed uninviting to a stranger from the lush and fertile prairies of Manitoba, but the more I saw of it the more it was revealed as a paradise.”

The gray wolf (Canis lupus) likely lived in this area for thousands of years. Seton found that wolves in northern New Mexico could weigh up to 100 pounds, although most weighed less, reaching the size of German shepherd dogs. In 1974, the U.S. Fish and Wildlife Service listed the gray wolf as “Endangered” in the lower 48 states and Mexico. Listing and attempts at de-listing wolf populations have remained contentious issues over the decades.

Seton’s effort to kill a wolf he named “Blanca,” then her mate, the pack-leader “Lobo,” turned into a horrific experience, one that left him asking, in his nature journal, “Why?” He never killed another wolf, returning instead to his home in Toronto, where he wrote a story about the hunt in which he cast himself as the villain. Lobo and Blanca – capable of courage, honor, and love – became the heroes. The story, “The King of Currumpaw,” began to change the way North Americans viewed wildlife, and marked an important turning point for the wildlife conservation movement.

a great grizzly form rose upFrom “The King of Currumpaw”:

As I drew near a great grizzly form arose from the ground, vainly endeavoring to escape, and there revealed before me stood Lobo, King of the Currumpaw, firmly held in the traps. Poor old hero, he had never ceased to search for his darling, and when he found the trail her body had made he followed it recklessly, and so fell into the snare prepared for him…Yet, when I went near him, he rose up with bristling mane and raised his voice, and for the last time made the cañon reverberate with his deep bass roar, a call for help, the muster call of his band. But there was none to answer him…

For the next 10 years, Seton combined intense wildlife study with developing a close relationship with Canada’s First Nations peoples. When not traveling, he lived in Toronto or New York City, developing his career as an illustrator and naturalist. He also began writing short fiction and natural history observations. He would later publish around 40 books that would sell more than 2 million copies.

artist and illustratorSeton published articles and monographs on wildlife from an early age. “Roger Tory Peterson freely acknowledges that the idea for his now familiar technique of identifying birds in the field came from Seton…In this way, Seton provided some of the impetus that has led to the present era of enjoyment and understanding of birds.” Robert W. Nero, American Ornithologists’ Union, 1975.

Seton gained increasing recognition for his illustrations and stories about wildlife throughout the 1890s. He used this celebrity to become a leading advocate for preservation of all wild creatures. Like Henry David Thoreau, he believed that the continued existence of wild nature was vital to our own survival on both a physical and moral level.

“There will always be wild land not required for settlement; and how can we better use it than by making it a sanctuary for living Wild Things that afford pure pleasure to all who see them?” Lives of the Hunted, 1901

By 1905, Seton was one of the most popular lecturers in the United States, Canada, and England. He also turned his attention to creating scientific works. Combining his knowledge of mammalogy, ecology, and ethology (animal behavior) and study with native peoples, his first major nonfiction work, Lives of Northern Animals, won immediate acclaim from biologists.

In 1900, Seton purchased a woodland estate near Greenwich, Connecticut, naming it Wyndygoul, for a Seton family estate in Scotland. It was subject to occasional vandalism by local boys. Instead of calling in law enforcement, Seton invited his young antagonists to join him for a weekend campout on March 28-29, 1902. Seton told compelling stories of the West and taught them the basic skills of “Woodcraft.”

treesHe ran a more formal weekend camp at Summit, New Jersey at the beginning of July. At the same time, he wrote a six-part series for Ladies’ Home Journal, “Ernest Thompson Seton’s Boys.” Thousands of boys joined what became known as the “Woodcraft” movement. The camps and articles established principles of outdoor education influencing the programming of summer youth camps for the next century. His main intent was to help youths connect with nature — an aim the History Museum shares in both the design of the exhibit’s interior space with trunks from real aspen trees (where story-tellers will enthrall children and families in upcoming events) and its supplemental programs that include an urban bird hike and nature-journaling workshops.

Other men took notice of Seton’s success with the “Woodcraft Indians.” Daniel Carter Beard (American boys’ writer and artist) announced the formation of the rival organization, “Sons of Daniel Boone,” in April 1905.  Robert Baden-Powell (British hero of the Second Boer War in South Africa) organized an experimental camp for boys in England in 1908, based in part on the Seton model. He called his organization the Boy Scouts.

Both Beard and Baden-Powell freely adopted many of Seton’s ideas, often without giving Seton credit. Over time, Seton’s Woodcraft movement faded while the Boy Scout movement thrived. Worldwide, more than 350 million boys, girls, and their families have taken part in Scouting over the past century.

furnitureAs part of his own efforts through Woodcraft, Seton made illustrations and items to show Scouts and Woodcrafters how to make their own items. He handcrafted a number of items for his own use.

Seton wrote and edited an edition of Boy Scouts of America, Handbook for Boys on display in the exhibit. In it, he combined his Woodcraft writings with the Scout writings of Baden-Powell. The Boy Scout Handbook has been issued in many subsequent editions over the past century with millions of copies printed.

On February 8, 1910, businessman and newspaper owner W. D. Boyce incorporated the Boy Scouts of America. On June 21, Edgar M. Robinson of the YMCA became the temporary head of the organization. He recruited Seton as its most public standard-bearer. Beginning on August 16, Seton led the first official camp of the Boy Scouts of America at Silver Bay, New York. Shortly afterward, Seton was given the honorary title, Chief Scout. He worked tirelessly to establish Scouting as an American institution.

Though Seton eventually parted ways with the Boy Scouts, he remained a tireless champion of outdoors education for youths and for conservation. Some of that work can be seen every summer in Cimarron, N.M., where Boy Scouts gather at the Philmont Scout Ranch.

Beginning in 1930, Seton built a “castle” outside of Santa Fe on what he thought of as “The Last Rampart of the Rockies” and what is still known today as Seton Village. The castle burned down during its renovation by the Academy for the Love of Learning, our partner in this exhibit, but the Academy is offering tours of its ruins, along with Seton-related programming on three dates. The first, Aug. 14, coincides with Seton’s 150th birthday and includes tales around a campfire.

Seton died in Santa Fe on October 23, 1946, almost exactly 53 years after his first trip to Clayton. In all that time, Seton had never forgotten the King of Currumpaw. By forcing Seton to ask WHY, Lobo helped him on his journey from wolf killer to student of the Buffalo Wind. Seton made a transformation within himself, putting the best of what he had learned to work its way in the world – where it is working still. As you leave the exhibit, we ask you to ponder this:

Seton would urge you to experience wild nature: Photograph wildlife. Draw the landscape. Write journal entries about your feelings for glorious outdoors New Mexico. And always, keep the love of learning alive!

Party Like It’s 2009

This time a year ago, we were crossing fingers that floors would be finished, scaffolds would go away, artifacts would appear and maybe, just maybe, a few people might decide to show up for the New Mexico History Museum’s grand opening on May 23, 2009.

Boy, were we surprised. Not only did the interior look as spit-polish as the exterior, but more than 20,000 people stood in blocks-long lines opening weekend outside …..

4x5 lines outside

… and inside …

4x5 line inside

…waiting for a peek. (Worth noting: Those people who not only stood in the waiting lines but did so as a thunderstorm threatened to drown them.)

Since that auspicious start, we’ve drawn more than 150,000 visitors (more than doubling the attendance of our predecessor, the Palace of the Governors); held a packed schedule of lectures, workshops and performances; played host to the Crown Prince of Spain; and carried home an armload of awards.

In honor of its accomplishments and in gratitude to those who helped make the first year such a success, the Museum of New Mexico Board of Regents voted to open the museum for free May 22 and 23.

“We want to throw a party to say `thank you’ for everything that New Mexicans and out-of-state visitors have done for us,” said Dr. Frances Levine, director of the museum. “The outpouring of support from visitors, scholars, donors, businesses, and especially our volunteers has carried us beyond our expectations.”

The highlight of the free “Wild Weekend” is the opening of Wild at Heart: Ernest Thompson Seton, an original exhibit created with special support from the Academy for the Love of Learning, home of the Seton Legacy Project.

“It took 20 years and the hard work of many dedicated staff members, volunteers and donors to create this wonderful new museum,” said Stuart Ashman, State Cultural Affairs Department Secretary.  “The overwhelming successes that we’ve witnessed during its first year of life are endorsements of these efforts.”

The full weekend schedule:

Saturday, May 22

10 am – 5 pm: Free admission, plus a sneak peek at the new exhibit, Wild at Heart: Ernest Thompson Seton, from 12 – 5 pm.

12 – 2 pm: The Wildlife Center in Española displays an assortment of the wild mammals and raptors it has rescued. Palace Courtyard.

Sunday, May 23

10 am – 5 pm: Free admission. Grand opening of Wild at Heart: Ernest Thompson Seton. Albert and Ethel Herzstein Changing Exhibitions Gallery.

12 – 4 pm: Wild Spirit Wolf Sanctuary brings a live wolf to the Palace Courtyard. Special program at 1:30 pm.

2 – 4 pm: Wild at Heart opening reception, hosted by the Women’s Board of the Museum of New Mexico. Booksigning of Ernest Thompson Seton: The Life and Legacy of an Artist and Conservationist with author and guest curator David L. Witt. Palace Courtyard.

Upon opening, the 96,000-square-foot History Museum joined a campus that included:

The Palace of the Governors, the nation’s oldest continuously occupied public building; Fray Angélico Chávez History Library; Palace of the Governors Photo Archives; Palace Press; and Portal Artisans Program. In its last year as a solo museum, the Palace drew 68,454 visitors.

POG exterior from Washington

Major accomplishments of the last year include:

Renovation of the Palace Press, including the addition of a new permanent exhibit recreating famed artist Gustave Baumann’s original printing studio

BaumannStudio_edited-1

Opening the exhibit Santa Fe Found: Fragments of Time and hosting a series of lectures on the founding of the city, in honor of its 400th birthday

Comb helmet and breast plate

Moving 3,700 textiles and 10,000 artifacts (including 1,404 pieces of furniture) into new, state-of-the-art collections storage inside the museum

wedding dress 5x4

Acquisition of an 1842 book printed by Padre Antonio José Martínez on the first press in New Mexico, as well as letters written by Billy the Kid to Gov. Lew Wallace

martinez book 300

Winning a $147,000 grant from the Institute for Museum and Library Services to partner with KNME-TV on development and broadcast of history documentaries

covered wagon

Playing host to His Royal highness Prince Felipe of Spain and his wife, Letizia, during a 400th Anniversary event

prince in ctyd

Publication by the Palace Press of Santa Fe Poet Laureate Valerie Martinez’s book, This Is How It Began, commemorating the 400th anniversary

This Is How it Began

Unveiling the commemorative Bill Mauldin stamp with the US Postal Service

unveiling 5x3

“Visitors tell us time and again that they love what we’re doing – and that they want more,” Levine said. “Our goal is to continue bringing forward even more of the stories that shaped the West, more exhibitions, more lectures, and more ways for people to engage with history and be inspired to explore more of New Mexico.”

The Ashes of Seton Castle

The “last rampart of the Rockies” sits south of Santa Fe, where the Sangre de Cristo Mountains peter out into foothills. Ernest Thompson Seton considered it the most appropriate place to build his final home, and he chose to make it a castle.

From 1930 until his death in 1946, Seton built not only a castle, but a village, a children’s camp, a printing press and a teaching and cultural community that focused on his interest in wildlife conservation and Native people.

If there’s anything more romantic than a castle, it has to be the ruins of one. And today, ruins are the only evidence of Seton’s Arroyo Hondo monument.

ruins full shot

A fire of unknown origin destroyed the National Historic Landmark in under two hours in 2005. Now owned by a nonprofit educational think tank, the Academy for the Love of Learning, it’s set to become a contemplative garden within the agency’s otherwise modern complex – a LEED-certified educational building with a gallery, meditation room and classrooms.

With the approach of the May opening of the exhibit, “Wild at Heart: Ernest Thompson Seton,” at the New Mexico History Museum, the Academy staff treated a few of us to a tour of their under-construction digs. The highlight of our trip: a stroll through the rubble of the old Seton Castle.

bell

Snow fought with mud for control of our boots. Rootless tumbleweeds clustered along the chainlink fence surrounding it. The stubs of stone walls, plaster peeling off, stood sentry. Charred wooden beams balanced between the floor and a former ceiling. Strings of electrical wiring jutted from the walls, useless and bobbing with the breeze.

charred beams

“This was both the weirdest place I’ve ever been in, and the most charming,” said Aaron Stern, the Academy’s founder.

Seton is a renowned conservationist, ranked with the likes of Audubon and Burroughs, who wrote more than 60 books and helped found the Boy Scouts of America He was also an incomparable artist who painted and drew images from the natural world.

The Academy obtained the property in 2003 from his adopted daughter, Dee Seton. The castle, Stern recalled, was still filled with his books, artwork, music and a chair magnificent enough to have been dubbed, by the Academy staff anyway, a throne. During his years in the castle, Seton became associated with people like author and artist Alfred Morang; sculptor and Van Briggle master potter Clem Hull; painter Georgia O’Keeffe; painter Randall Davey; painter Raymond Jonson, leader of the Transcendental Painters Group; and artist Eliseo Rodriguez.

At the time of the fire, work was underway was to renovate the 32-room, 6,900-square-foot castle into the Academy’s headquarters.

David at castle

Despite its charms, said David L. Witt, (photo at left) director of the Academy’s Seton Legacy Project and curator of Wild at Heart, the place bore all the signs of a grand eccentric at work.

“It was poorly built,” he said. “It’s amazing it didn’t fall down before it burned.”

As it turns out, it caught fire at the very moment that Witt was in a nearby building, discussing its grand re-opening with residents of Seton Village. By the time 20 minutes had passed, the top of the castle was gone.

No one was hurt, but federal arson investigators never pinpointed a cause.

That isn’t the only mystery left behind. There’s also what Witt – a profound admirer of Seton’s – calls “the strange ego and psychology of Seton.”

“What would make him build this grandiose, ridiculous building on the southern rampart of the Rockies when it was just him and his wife?” asked Witt (Dee was adopted after its construction). “I’ve thought about that a lot. I know he was incredibly critical of his father. In his autobiography, he criticized his father for everything he did as too grandiose.

“Either he was unaware of what he was doing or he didn’t see the irony in building something like this for himself.”

It wasn’t his only self-designed mansion, either. Seton had earlier constructed “Wyndygoul,” a grand country estate in Cos Cob, Conn., (the sale of which shocked a 1912 New York Times writer) and “DeWinton,” an even grander estate in Greenwich, Conn., before returning to New Mexico for his final years.

peacock mural

As one author wrote of the New Mexico castle’s “Indian Tudor” style: “If Wyndygoul was his first message to the world concerning who he was and what he had accomplished, Seton Castle was a definitive repudiation not so much of that announcement but of the material excess that had followed it, including a repudiation of his Greenwich family.”

When completed in August, the Academy will operate its headquarters as private property. Participants in its workshops will be able to visit the ruins, as will members of the public on special occasions. There, they might hear literary readings or musical performances. They might wander the remains and marvel at the kachinas Seton included on the walls, enjoy the 360-degree views or simply find a measure of the peace within nature — something Seton himself so loved.

The “last rampart of the Rockies” sits south of Santa Fe, where the Sangre de Cristo Mountains peter out into foothills. Ernest Thompson Seton considered it the most appropriate place to build his final home, and he chose to make it a castle.

From 1930 until his death in 1946, Seton built not only a castle, but a village, a children’s camp, a printing press and a teaching and cultural community that focused on his interest in wildlife conservation and Native peoples.

If there’s anything more romantic than a castle, it has to be the ruins of one. And today, ruins are all that’s left of Seton’s Arroyo Hondo monument. A fire of unknown origin destroyed it in under an hour in 2005. Now owned by an educational think tank, the Academy for the Love of Learning, it’s set to become a contemplative garden of the agency’s otherwise modern complex – a LEED-certified educational building with a gallery, meditation room and classrooms.

With the approach of the May opening of Wild at Heart: Ernest Thompson Seton at the New Mexico History Museum, the Academy staff treated a few of us to a tour of their under-construction digs. The highlight of our trip: a stroll through the rubble of the old Seton Castle.

Snow fought with mud for control of our boots. Rootless tumbleweeds clustered along the chainlink fence surrounding it. The stubs of stone walls with plaster peeling off stood sentry. Charred wooden beams balanced between floor and a former ceiling. Strings of electrical wiring jutted from the walls, useless and bobbing with the breeze.

“This was both the weirdest place I’ve ever been in, and the most charming,” said Aaron Stern, the Academy’s founder.

At the time of the fire, Academy leaders were attempting to renovate the since-abandoned castle into their headquarters. When they obtained it from Dee Seton, the adopted daughter of the artist and conservationist, it was still filled with his books, artwork, music and a chair magnificent enough to have been dubbed a throne.

Despite its charms, said David L. Witt, director of the Academy’s Seton Legacy Project and curator of Wild at Heart, the place bore all the signs of a grand eccentric at work.

“It was poorly built,” he said. “It’s amazing it didn’t fall down before it burned.”

As it turns out, it caught fire at the very moment that Witt was in a nearby building, discussing its grand re-opening with residents of Seton Village. By the time 20 minutes had passed, the top of the castle was gone.

No one was hurt, but federal arson investigators never pinpointed a cause.

That isn’t the only mystery left behind. There’s also what Witt – a profound admirer of Seton’s – calls “the strange ego and psychology of Seton.”

“What would make him build this grandiose, ridiculous building on the southern rampart of the Rockies when it was just him and his wife?” asked Witt (Dee was adopted after its construction). “I’ve thought about that a lot. I know he was incredibly critical of his father. In his autobiography, he criticized his father for everything he did as too grandiose.

“Either he was unaware of what he was doing or he didn’t see the irony in building something like this for himself.”

It wasn’t his only castle, either. Seton had earlier constructed a castle in Connecticut before returning to New Mexico for his final years.

The Academy will operate its headquarters as private property. Participants in its workshops will be able to visit the ruins, along with members of the public on special occasions. There, they might hear literary readings or musical performances. They might just wander the remains and marvel at the kachinas Seton included on the walls, enjoy the 360-degree views or simply find a measure of the peace within nature that Seton himself so loved.