Books on Books, Their Craft and Beauty

5x7_DSC_0206If you’re like most people, walking into the Palace Press causes a bit of bedazzlement. All those old presses, stacks of cases and walls lined with posters, broadsides and fliers. There’s so much eye candy that you might miss one of its best attributes: Its library.

“There were probably around 300 books when I started, and now there must be a thousand,” said Tom Leech, director of the Palace Press. “This collection was inherited from my predecessor, Pam Smith, but has easily doubled in the time I have been here. It’s an extensive collection on graphic arts and the history of the book, including papermaking and typesetting.”

The Palace Press library covers subjects like lettering, papermaking, and typesetting, and features examples of works done in the early days of printing.

“The purpose is to have a research and reference collection. It isn’t a lending library, but if someone wants to come in and peruse, it’s OK,” Leech said. “It seems like lately we’ve gotten donations with real frequency. Recently, 250 small-press pamphlet-type books were donated to us. We get donations simply because people thought the books belonged here. We also try to collect information on what is related to the incoming exhibitions, so we know what we can be producing.”

Leech also has a fascination with the history of printing. “By virtue of our interest in type, we have a book by Dard Hunter Jr., whose father was well-known for his books on papermaking. It has nice, simple explanations of casting type, how he carved and cast it by hand, and it is all printed on paper that was probably even made by his dad.”

Dard Hunter’s interest began in the early 1920s. Since then, there has been a renaissance of creating paper and using it in traditional presses, which feeds into the craft of printing and its significance today. Leech and fellow pressman James Bourland follow that example even today—often after consulting the books on their shelves.

“Simple books are really the most beautiful,” Leech said. “Sometimes the book is about a particular subject, and other times it’s the book itself that is the work of art.”

 

 

From Child’s Play to Honored Photographer

Rodeo, San Juan Pueblo, by Sam Adams, 1996-2005. Palace of the Governors Photo Archives, Photo Legacy Project.

Rodeo, San Juan Pueblo, by Sam Adams, 1996-2005. Palace of the Governors Photo Archives, Photo Legacy Project.

An ad aimed at kids may well have changed Sam Adams life. “When I was a little boy, we used to read comic books,” he said, “and at the back were a series of advertisements for all sorts of weird things, like whoopee cushions, magic kits, things that kids would enjoy getting their hands on. And one of those was for a Candid camera, which cost three or four dollars at that time.”

Adams bit and began snapping pics at age 9. Today, he’s a retired motion-picture and television literary agent who moved to Santa Fe in 1989 and turned his attention full-time to photography.

“In the beginning it wasn’t really about the photography, it was more about the equipment, and then it became more about the subjects as time went on.”

In 2005, he won the New Mexico Council on Photography’s Eliot Porter Award. His work has been exhibited at regional museums and, most recently, took over the Meem Community Room, where we’ll host a small reception for Photography of Sam Adams, from 5–7 pm on Friday, August 7.

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¡Que Viva! A New Day for the Palace

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Workers are getting ready to apply new stucco, repair roofs, improve heating and cooling, change the landscaping and more at the Palace of the Governors, a 400-year-old National Treasure in the heart of historic Santa Fe. Begun in 1609–1610 as the seat of Spain’s North American colony, the Pueblo Revival building became the flagship of the state’s museum system in 1909. In recent years, it has drawn preservationists’ fears, most critically because of its 1970s cement stucco on the interior courtyard’s wall.

Now, thanks to a $400,000 infusion from the Department of Cultural Affairs and another $680,000 from the state Legislature’s recent session, that water-trapping stucco will be stripped off and replaced with a breathable lime plaster. Stucco around the rest of the building will be patched up, workers will install new roofs above the Palace gift shop and Meem Community Room, and the Palace’s capricious heating-and-cooling system will be tied into the New Mexico History Museum’s more reliable one.

Other repairs include replacing approximately 18 viga ends along the Palace Portal, fixing whatever damage is revealed when existing stucco is peeled off, and smoothing the rumpled brick sidewalks on the sides of the building to make them wheelchair-friendly. The $680,000 allocation will help pay for even more work at the New Mexico History Museum, including replacing doors that have settled poorly and, in some cases, contributed to a problem with rain leaks.

“We’re grateful to Governor Susana Martínez, state legislators, and Cultural Affairs Secretary Veronica Gonzales for seeing the importance of caring for the Palace. We pledge to be wise stewards of the taxpayers’ money,” said Andrew Wulf, director of the New Mexico History Museum/Palace of the Governors. “This building stands as a testament to the deep roots of Native, Spanish, Mexican and American life in the United States. We want it to show off its best attributes for years to come and ensure that guests from around the world are safe and comfortable.”

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Catch a Rising Star at the Young Natives Show

4-72-YAN_2014-2Want to get in on the ground floor of collecting from a future Native arts star? On July 4 and 5, the Young Native Artists Show & Sale returns to the Palace Courtyard, from 9 am to 4 pm. Children and grandchildren of artists who belong to the Native American Artisans Program will show off their latest works of art, learn a few tricks of the customer-service trade, and possibly launch a career.

Alvin Van Fleet knows. He was once of the kids selling in the twice-a-year shows. Now he makes silver and copper jewelry that he sells under the Palace Portal. He believes so strongly in this event that he’s helping to organize it even though he doesn’t have children of his own to participate in it.

“The children’s show helps the kids learn how to deal with money and how to continue the tradition their parents are continuing—beadwork, silverwork, pottery,” he said. “That’s how the next generation learns.”

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Get Out of Town: The State Historic Sites Want You

CoronadoKiva-Sandias_ByEricMaldonadoHow about making this mid-year resolution: I will visit all of the State Historic Sites this summer. Few experiences can both deepen and widen your understanding of New Mexico history better than trips to the seven sites, which encompass ancestral Native life, Spanish colonists, Territorial forts, and the rip-snortin’ legend of Billy the Kid.

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An Evening with William deBuys

4-Lecture_William deBuys_author photo_THE LAST UNICORNAward-winning author and conservationist William deBuys speaks on and signs copies of his latest book and joins us for a reception honoring the museum’s acquisition of his papers. The Fray Angélico Chávez History Library hosts this free event on Friday, June 19, 5:30–7:30 pm, in the museum auditorium, with light refreshments in the lobby.

In 1992, in a remote mountain range, a team of scientists discovered the remains of an unusual animal with beautiful long horns. It turned out to be a living species new to Western science—a saola, the first large land mammal discovered in 50 years. Rare then and rarer now, a live saola had never been glimpsed by Westerners in the wild whendeBuys and conservation biologist William Robichaud set off to search for the animal in the wilds of central Laos. They endured a punishing trek, whitewater rivers and mountainous terrain ribboned with snare lines set by armed poachers.

The Last Unicorn: A Search for One of Earth’s Rarest Creatures (Little, Brown and Company, 2015) is deBuys’ look deep into one of the world’s most remote places. His journey becomes a quest for the essence of wildness in nature and an encounter with beauty.

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Camping Out in Cimarroncita

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Almost anyone who spent part of a summer childhood at camp remembers it with sweet nostalgia—canoeing, shooting arrows, making crafts, and singing around a campfire. Such visions have filled our curatorial heads since November 2014, when Alán Huerta and Minnette Burges approached the museum to gauge our interest in acquiring the contents of their Cimarroncita Ranch Camp for Girls. The couple needed to clear out an archive documenting camp life from 1930–1995—not to mention a lifetime of memories.

“Anytime you acquire a large collection that’s tied to family history, there are opportunities to have many conversations,” said Meredith Davidson, curator of 19th– and 20th-century Southwest collections. “In this instance, the history of the summer camp extends to the 1930s, so there are several generations interpreting the camp’s daily activities and the people who went there.”

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The 1860s Will Never Be the Same

Hannah_SummerCamp2-72Update: We’re sad to say that we didn’t get enough campers to offer this event, but we’re regrouping and planning our next steps. Stay tuned for some pop-up family events pulled from the summer camp’s curriculum.

Original story: How can you engage your child with history while strengthening their literacy skills and letting them have a ball? Give them the gift of a weeklong trip to action-packed 1863 at the New Mexico History Museum’s summer camp, Time Trekkers. Children 9-11 will enjoy VIP access to the museum and get daily doses of hands-on learning—braiding horsehair bracelets, gathering a picnic lunch at the Santa Fe Farmers Market, practicing calligraphy, roping a calf dummy, hand-stitching their own book, playing old-time games and more. Make new friends, strengthen literacy skills, explore different kinds of artwork and learn how history connects the past to the present.

Time Trekkers takes place 10 am–4 pm, Monday–Friday, June 15–19. Cost is $125 (10 percent discount to children and grandchildren of Museum of New Mexico Foundation members). Space is limited. For info on how to register by June 1, contact René Harris at rene.harris@state.nm.us or Melanie LaBorwit at melanie.laborwit@state.nm.us.

Each day has a different focus—Historical Clothing, Traditional Foodways, Cartography and Calligraphy, Ranch Work and Civil War Life, and a Fantastic Field Day. Scheduled activities include:

  • Try on clothes from the 1860s and master the craft of horsehair braiding.
  • Take a field trip to the Santa Fe Farmers Market to gather fresh fruits and vegetables and help prepare old-style recipes.
  • Go behind-the-scenes at the museum’s Fray Angélico Chávez History Library and Photo Archives to check out fascinating maps.
  • Practice the art of writing with a quill.
  • Learn how to make a rope, then rope a cow. Be part of a bucket-brigade contest. Make adobe bricks.
  • Step inside the Palace Press to learn a simple bookbinding technique.
  • Play! Participate in historic games such as hoops, marbles, three-legged races and the game of graces.

Art projects are woven into daily activities, and all supplies are included in camp fee. A short playground/snack break is scheduled each day.

Pearly White to Chocolate Brown: The Color of Mud

SOC-SantaFe-colorWhen Museum Hill properties banded together to create the “Summer of Color,” they asked downtown museums and galleries to mount their own color-based shows. But our galleries were already filled with exhibits (colorful ones, no less), so we were initially stumped.

Then the National Trust for Historic Preservation declared the Palace of the Governors a National Treasure, and a brainstorm erupted. Why not capitalize on the attention being given to the Palace’s maintenance needs by hosting programs about the building and other adobe structures? Thus was born “Adobe Summer,” a series of free events dedicated that most basic of building materials, mud.

The Palace of the Governors, ca. 1915, by Jesse Nusbaum. Palace of the Governors Photo Archives 013045.

The Palace of the Governors, ca. 1915, by Jesse Nusbaum. Palace of the Governors Photo Archives 013045.

If all goes well, contractors will begin replastering the Palace Courtyard this summer, giving everyone an intimate glimpse into how adobe works. Beyond new plaster and, likely, a few new adobe bricks, the building needs new hardwood floors, a new roof, improved electrical systems, and some type of fire-suppression equipment that won’t imperil the adobe walls. After the structural work is done, we aim to re-do the exhibits to more fully tell the story of the building itself.

Join us for Adobe Summer, including these events:

  • Sunday, May 31, 2–3 pm: “Restoring the 1785 Roque Lobato House in Santa Fe.” A panel discussion and book signing with author Chris Wilson, architect Beverly Spears, and Alan “Mac” Watson, vice chairman of the Historic Santa Fe Foundation, on the successful renovation of this historic home.
  • Sunday, June 28, 1:30–3:30 pm: Make sand casts of your hands for a family keepsake.
  • Saturday, July 25, 1–3 pm:“Earthen Architecture—Past, Present and Future.” Get a multicultural perspective of how communities preserve adobe structures, featuring Jake Barrow, program director for Cornerstones Community Partnerships; Tomacita Duran, executive director of the Ohkay Owingeh Housing Authority; and artist Nicasio Romero of the Villanueva Valley.
  • Friday, Aug. 7, 6 pm: “Wars, Revolts, and Defining Collective Memory in the Context of the Great Pueblo Revolt,” a talk by archaeologist and author Jason Shapiro.
  • Friday, Aug. 28, 6 pm: “El Presidio de Santa Barbara: Its Founding, Heyday, Decline, and Rebirth.” Jarrell Jackman, executive director of the Santa Barbara Trust for Historic Preservation, speaks on the renovation of that city’s 1782 Spanish presidio.

Any day, everyday: Wander the Palace and try to hear the whispers of its past, from its massive walls to its thick vigas to the floor hatches revealing its earliest foundations. Pilar Cannizzaro, preservation planning manager for the state Historic Preservation Division, said she fell in love with the building the first time she walked through in 1984.

“The rich history, the monumental architecture, the fact that it faces the plaza and is such a part of it,” she said. “Every part of it is magical.”

A Fragile Flag Returns to New Mexico

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In 1861, as the Civil War broke out across the nation, General Sibley, a confederate from Texas, signed up with Jefferson Davis in a plan to overtake New Mexico, Colorado and eventually California. The New Mexico Territory braced for a series of battles and sent requests to Colorado for support. Men signed up for war, and the women of Denver responded as well. In August 1861, the Ladies of Denver presented a hand-stitched 34-star flag to the recently formed First Colorado Infantry, Company D. The flag and its bearer advanced to New Mexico and a date with infamy in Glorieta Pass.

Meredith Davidson, curator of 19th– and 20th-century Southwest collections, recently traveled with Registrar Deborah King to History Colorado, which now holds the battle-scarred flag. Thanks to a generous loan, they brought it back to New Mexico, where it will become a cornerstone piece for the Mezzanine Gallery exhibit, Fading Memories: Echoes of the Civil War, opening May 1.

The exhibit gives the museum a chance to partner with the Santa Fe Opera, which debuts Cold Mountain this August. To pull it off, Davidson joined Palace Press Director Tom Leech and Photo Curator Daniel Kosharek to present various types of artifacts that represent the opera’s story of loss, relationships and memory, all within the context of the Civil War.

4-72-CivilWar_CasedImagesPlusCap-3The flag will share space with cased images, postwar lithographs, journals, weapons and a cross worn by a soldier at the decisive battle in Glorieta. The flag was brought back to Colorado by Michael Ivory, one of the unit’s color-bearers. In the 1960s, it was donated to History Colorado.

“There is something amazing in the way artifacts can carry stories in their very fibers,” Davidson said, “and this flag, with so much physical loss over time reflects the way we as curators and museums must work together to ensure that these totems of memory do not lose those stories.”

The condition of the flag when it was donated to History Colorado led to an initial conservation effort in 1963. Another effort in 1994 noted the flag’s condition had worsened. One area of the description suggests it was, “extremely tattered in some places and generally structurally weak in the star field. Almost 50 percent of that field is lost and shows tattering, tears and detached sections.” The flag may have survived battle, but in the years since its wool stripes and stars were slowly ripping apart,” Davidson said. “Our request to borrow it led to History Colorado undertaking a new conservation effort, this time with more stabilizing, cleaning, and stitching to enable the piece’s long-term display.

Perhaps in error or with the intention to present the flag vertically, the flag was stitched down to a backing with the canton (the part with the stars) on the right. That 1963 choice sealed the fate of the flag for future presentations. Because so much of the blue fabric was lost, the 2014 curators and conservators chose to leave it in place and created a sheer overlay within the canton for extra support.

Getting the nine-foot-long flag to Santa Fe required packing it into a box truck that then weaved back through the Cimarron Pass the flag likely traveled once before. “It is hard to imagine a young soldier, flag in hand, carrying the piece through the landscape and holding it high as a color bearer during the battle itself,” Davidson said. “Museums are places to tell stories, but they are also places to keep what remains once the stories told orally pass. Artifacts are gateways into these stories, and sometimes they just need a little help.”