Marking NM’s Historic Women: Estella Garcia & the Women of the WPA, Fabric Artists

Photo Credit: Palace of the Governors Photo Archives
Stella Garcia and her colcha embroidery class, Federal Art Project (WPA), Melrose, New Mexico. (Estella Garciá standing. Fourth artist from the left identified as Rita Rodríguez Chávez)
Date: circa 1936
POG Negative Number 090204

(SIDE 1) Estella García taught colcha embroidery at Melrose, New Mexico, for the Federal Arts Program in the 1930s. Anglo and Hispana women in Garcia’s class collaborated to design and produce embroidered theater curtains, wall hangings, and seat coverings for institutions across the state including the Albuquerque Little Theatre. Garcia is one of the few Hispanic women artists recorded in FAP documents. Unfortunately, few examples of her work remain. (SIDE 2) Under the umbrella of the WPA, the National Youth Administration, and the Federal Arts Program, instructors and students were recruited to work in community-based art centers that produced fabric arts, including weaving, colcha embroidery, and lace-making. While the artistic creativity of these mostly unrecognized women was considered “women’s work for home use” by WPA administrators, this now popular New Mexican art form has been revitalized.

Roadside Marker Location: Curry County, US Hwy 60/84, Mile Marker 336.18

You can view a county by county list of the Historic Women Mile Markers in this pdf.

You can view a map of the Historic Women Mile Markers at www.nmhistoricwomen.org

March is Women’s History Month. During this month we’ll be highlighting some of the women featured on New Mexico’s Historic Women Roadside Markers. Text provided by our colleagues at New Mexico Historic Preservation Division

Oliver LaGrone: Sculptor of “Mercy”

Black and white photo of an African American artist  in a studio covering a  figurative sculpture with plaster.
Works Progress Administration sculptor Oliver LaGrone casting “Mercy” for installation at the Carrie Tingley Children’s Hospital for Crippled Children in Hot Springs (Truth or Consequences), NM, ca. 1936. Palace of the Governors Photo Archives 019936

Oliver LaGrone (1906-1995), younger brother of Hobart LaGrone, is a nationally-recognized artist, educator, and poet. After moving with his family from the Midwest to Albuquerque in the early 1930s, Oliver LaGrone quickly became involved in his community. In 1933, both Oliver and Hobart became members of the first African American Boy Scout troop in Albuquerque. Oliver was also the director and member, along with Hobart, of the Harmony Four, a quartet that regularly sang at the Grant Chapel African Methodist Episcopal (AME) Church, where they were also members with their family.

Newspaper clipping with headline: Ex-Student Here Hailed As Sculptor
Albuquerque Tribune 21 February 1952

Oliver LaGrone began his studies at the University of New Mexico, and refined his skills in the fine arts. In 1936, the WPA hired Mr. LaGrone to create a sculpture for the future Carrie Tingley Hospital for Crippled Children in Hot Springs, NM. Upon graduating from UNM in 1938 with a Bachelor of Science degree, Mr. LaGrone met and married Irmah Cooke and moved to Michigan shortly thereafter, though he moved back to Albuquerque briefly in 1977.

Oliver LaGrone continued making sculptures throughout his life, while he worked as a representative for the American Federation of Labor (AF of L) in Detroit’s auto industry, while he worked as a teacher in Detroit public schools, and throughout his tenure as a faculty member at Pennsylvania State University.

Oliver LaGrone was also known for his activism and wrote poetry on Black history, identity, and the fight for civil rights in the United States. His sculptures can be seen at the Albuquerque Museum sculpture garden, the Schomberg Center at the New York Public Library, and Pennsylvania State University, among other locations.

Newspaper clipping with headline: Detroit Sculptor Ends Visit Here
Albuquerque Journal 31 December 1962